Kerry Anderson is a songstress/guitarist not to be taken lightly. Her style is clear and
    crisp, with a siren quality would be fitting in any Romantic painting — you can hear the
    waves splashing off the wild coastline and the pain and longing in the heart, with just a
    mild touch of the tragic.
      A Colorado native, Anderson spent much of her life down a long dirt road with the
    Rocky Mountains as a backdrop. Growing up among the wildflowers and native
    grasses, there is a scent in her music that is not to be forgotten, even in the hustle and
    bustle of her current hometown in Bloomfield, New Jersey.
      Born in 1979 of frugal parents, Sandy and Ernie, who taught her the value of money
    and family harmony. Anderson spent 21 years leading the simple life.

      The first time Anderson got an inkling she wanted to be a musician was when she was
    12 and home alone. It was raining. She was playing the piano, the first instrument she
    tackled as a musician.
      “I started writing all these poems, and that’s when I felt that I had a natural ability with
    that. I was so excited,” she said. “I had a little tape recorder — a Karaoke machine I
    used to record on — and I sang the lyrics while playing the piano.”
      Anderson said the song “just came out.” At that time, she was very shy and the
    recorder produced the intimacy the budding artist needed to find her own particular
      When Anderson moved out on her own, her roommates in Boulder had just moved
    back from New Jersey. They told her that she needed to do something with her talent
    and search for an outlet for her music.
      “They said they could set me up with a family that needed a nanny in Montclair and
    that everything would be taken care as far as living needs were concerned,” she said.
    “So two month later, off I went.”
      Anderson said she flew into LaGuardia airport in New York and her first ride through
    Manhattan was a hair-raising one, complete with the quadrupled speed of the east
    coast lifestyle.
      While staying in the guest room of her new family’s house in Montclair, she tended to
    their children and played at the various coffee houses in northern New Jersey. In the
    summer of 2001, Anderson recorded her first CD in the tiny basement in Montclair.
      When she finally struck out on her own, she rented her first apartment in Bloomfield
    and has been there ever since. She met producer Charles Roane and began writing
    and recording immediately. In 2004, she met Liz Montalbano, and signed to her
    company for management.
      “I’m on a mission to get a record label and a fan base,” Kerry said. “My audiences in
    Montclair are very enthusiastic. They ask for more information and then become my
    friends on MySpace.”
      Anderson’s clean playing, mournful lyrics and rich, modulated voice is introspective
    and exciting, so it is no wonder her audience is growing.
      The intonations in her voice came from the outside influences of other musicians like
    Sarah McLachlan and Natalie Merchant.
      “I loved the tone of their voice just for softness. I felt connected to them as artists
    because of my own natural softness,” Anderson said. “Especially the folk music aspect
    and the type of acoustic guitar style.”
      The guitar is her main mean of expression now. Always finding new ways to create
    versatile guitar tunings.  Finding tricks with capos to evoke different sounds and effects.
      Anderson said her lyrics come out of nowhere; she doesn’t have any mindset toward
    them. In artistic terms, some call that a visitation from the Muse.
      “That’s exactly how it is — it’s really crazy how lyrics appear for me,” she said.
    “Sometimes, I’m going through life and I don’t realize how sensitive I am to certain
    things. Then I pick up the guitar and all of a sudden something appears in the lyrics that
    I’m singing.”
      The effect is like someone whispering in her ear from deep in her subconscious, she
    said. The haunting flavor of Anderson ’s work makes those comments believable. In
    “Sideways,” the piece starts with quiet playing and soft finger snapping, I felt I was
    walking down a hall toward something in myself. I wasn’t sure I wanted to go there but I
    did, compelled by my own experiences. Memories flooded back of love lost, love had.
    Bittersweet. Biting. Beautiful.
      “My hope is that with every word I sing, and with every melody you hear, I want my
    music to reach your soul. I want my music to take you somewhere else, out of your
    everyday life. I want my music to be like a warm blanket or the taste of fresh baked
    cookies on a cold day,” she said. “Like the smell of rain, or just like feeling the sunlight
    through the trees. This is my passion and joy, and it is all for you.”
          With the level of professionalism and poetic beauty of her music, Anderson’s train
    should arrive shortly on the rails to success. You can visit her Web site at www.
             - An excerpt from an article by Celeste Regal of The Observer in New Jersey
Kerry Anderson's